From a production of The Magic Flute at Texas A&M University–Commerce: the Queen of the Night menaces the terrified Pamina. "Der Hölle Rache kocht in. The things that help them survive danger are a flute and a set of magic bells. The most world-renowned opera in a classically beautiful production, the legacy of. Mozart's The Magic Flute. Do you hear the Queen of the Night singing? Good, evil, bird catchers, and princes, time for Mozart's strangest work. Play.
Subscribe to medici.tvThe things that help them survive danger are a flute and a set of magic bells. The most world-renowned opera in a classically beautiful production, the legacy of. His new perspective on the work brings to life a Magic Flute that is both refined and elegant: a sober jewel in which appearances often prove misleading. Die Zauberflöte ist eine Oper in zwei Aufzügen von Wolfgang Amadeus Mozart, die im Freihaustheater in Wien uraufgeführt wurde. Das Libretto stammt von Emanuel Schikaneder. Das etwa dreistündige Werk zählt zu den weltweit bekanntesten und am.
The Magic Flute Navigation menu VideoMozart - The Magic Flute (Complete)
C-Lo Provider Playвn GO hat hingegen 80 Titel The Magic Flute Bord, mit seinem. - Appears inSelected Performance: The Magic Flute is arguably the most well-known and loved opera in the history of music, probably because it has a simple fairy-tale type of plot and because the music is easy to listen to and to “understand”. The Magic Flute (German: Die Zauberflöte, pronounced [ˈdiː ˈt͡saʊ̯bɐˌfløːtə]), K. , is an opera in two acts by Wolfgang Amadeus Mozart to a German libretto by Emanuel Schikaneder. The work is in the form of a Singspiel, a popular form during the time it was written that included both singing and spoken dialogue. “Die Zauberflöte”, “The Magic Flute”, was to become one of the most popular and most performed operas in history. Even today the audience is not averse to being spirited away into a fairy-tale realm of magic, love and humour – typically Mozart!. On one level, The Magic Flute is a simple fairy tale concerning a damsel in distress and the handsome prince who rescues her. Beneath the surface, however, the piece is much more complex. It is an allegory of the quest for wisdom and enlightenment as presented through symbols of Freemasonry; Mozart and Schikaneder were both Freemasons. A production of Wolfgang Amadeus Mozart 's opera "The Magic Flute" is presented, this film which blurs the lines of it as a stage production - not only with aspects of the theater stage shown, but also the occasional shot of the audience members watching it, and the performers going through their backstage routines during intermission - and a movie as the set moves out from the confines of the stage.
Pamina Ben Davis Sarastro Lyubov Petrova Queen of the Night Tom Randle Monostatos Liz Smith First Lady Louise Callinan Second Lady Kim-Marie Woodhouse Third Lady William Dutton First Boy Luke Lampard Second Boy Jamie Manton Third Boy Rodney Clarke Edit Storyline During World War I, in an unnamed country, a soldier named Tamino is sent by the Queen of the Night to rescue her daughter Pamina from the clutches of the supposedly evil Sarastro.
Edit Did You Know? Trivia Shot entirely in a studio. Even the final scene, which supposedly takes place in sunlit exteriors, was created partly by CGI effects.
Quotes Papageno : [ Papageno and Tamino are undergoing a trial of silence, but Papageno speaks anyway, much to the displeasure of Tamino.
An old woman enters ] Is that for me? Old Papagena : [ speaks, carrying a tray of refreshments ] Yes, my angel!
Papageno : [ drinks and then speaks ] Water! How old are you, my dear? Old Papagena : [ speaks ] I'm eighteen years and - two minutes.
Papageno : [ bursts into laughter and speaks ] I see! Do you have a boyfriend? Contact Us. At La Flauta Magica we believe in:. About Us.
Bilingual curriculum Bilingual curriculum Bilingual curriculum. Our Mission Bilingual curriculum Our Mission. Join Our Mailing List. After the Queen leaves, Monostatos tries to blackmail Pamina by threatening to reveal the murder plot, but Sarastro drives him off and reassures Pamina.
Tamino and Papageno are undergoing a second trial of silence. An old woman enters, carrying water.
She says that she is 18 years and 2 minutes old. Papageno at first believes she means 80, but the old woman insists she is Papageno inquires if she has a sweetheart.
She replies that she does, and that his name is Papageno. She then disappears. Pamina enters and tries to talk to Tamino, but he refuses to answer.
She leaves in despair. Scene 5. Sarastro separates Pamina and Tamino for their final trial. Scene 6. Papageno, still longing for a wife, plays his magic bells.
The old woman reappears and demands that he promise to marry her, or else he will be alone forever. Papageno reluctantly agrees. She is immediately transformed into a pretty girl: Papagena.
As Papageno runs to embrace her, the priests frighten her away. Scene 7. The Three Spirits come upon Pamina in a courtyard. They promise that she will see him soon.
Scene 8. Two armoured men lead Tamino to his next trials, at mountains gushing fire and water. They recite the credo of Isis that he who overcomes fear will achieve enlightenment.
Tamino is reunited with Pamina. They exchange loving words and enter the trials together. The priests laud their success.
Scene 9. In a garden on the temple grounds, Papageno has given up hope of ever finding Papagena again, so he tries to hang himself.
They are recaptured by Monostatos and his slaves. Papageno plays his magic bells, and Monostatos and his slaves begin to dance, and exit the stage, still dancing, mesmerised by the beauty of the music chorus: " Das klinget so herrlich ".
Papageno and Pamina hear the sound of Sarastro's retinue approaching. Papageno is frightened and asks Pamina what they should say. She answers that they must tell the truth.
Sarastro enters, with a crowd of followers. Pamina falls at Sarastro's feet and confesses that she tried to escape because Monostatos had forced his attentions on her.
Sarastro receives her kindly and assures her that he wishes only for her happiness. But he refuses to return her to her mother, whom he describes as a proud, headstrong woman, and a bad influence on those around her.
Pamina, he says, must be guided by a man. Monostatos brings in Tamino. The two lovers see one another for the first time and embrace, causing indignation among Sarastro's followers.
Monostatos tells Sarastro that he caught Papageno and Pamina trying to escape, and demands a reward. Sarastro, however, punishes Monostatos for his lustful behaviour toward Pamina, and sends him away.
He announces that Tamino must undergo trials of wisdom in order to become worthy as Pamina's husband. The priests declare that virtue and righteousness will sanctify life and make mortals like gods " Wenn Tugend und Gerechtigkeit ".
The council of priests of Isis and Osiris , headed by Sarastro, enters to the sound of a solemn march.
Sarastro tells the priests that Tamino is ready to undergo the ordeals that will lead to enlightenment. Tamino and Papageno are led in by two priests for the first trial.
The two priests advise Tamino and Papageno of the dangers ahead of them, warn them of women's wiles and swear them to silence Duet: " Bewahret euch von Weibertücken ".
The three ladies appear and try to frighten Tamino and Papageno into speaking. Quintet: " Wie, wie, wie " Papageno cannot resist answering the ladies, but Tamino remains aloof, angrily instructing Papageno not to listen to the ladies' threats and to keep quiet.
Seeing that Tamino will not speak to them, the ladies withdraw in confusion. Pamina is asleep. Monostatos approaches and gazes upon her with rapture.
Monostatos hides. In response to the Queen's questioning, Pamina explains that Tamino is joining Sarastro's brotherhood and she is thinking of accompanying him too.
The Queen is not pleased. She explains that her husband was the previous owner of the temple and on his deathbed, gave the ownership to Sarastro instead of her, rendering the Queen powerless this is in the original libretto, but is usually omitted from modern productions, to shorten the scene with Pamina and her mother.
She gives Pamina a dagger, ordering her to kill Sarastro with it and threatening to disown her if she does not. Aria: " Der Hölle Rache kocht in meinem Herzen ".
She leaves. Monostatos returns and tries to force Pamina's love by threatening to reveal the Queen's plot, but Sarastro enters and drives him off.
Pamina begs Sarastro to forgive her mother and he reassures her that revenge and cruelty have no place in his domain Aria: " In diesen heil'gen Hallen ".
Tamino and Papageno are led in by priests, who remind them that they must remain silent. Papageno complains of thirst. An old woman enters and offers Papageno a cup of water.
He drinks and teasingly asks whether she has a boyfriend. She replies that she does and that his name is Papageno. She disappears as Papageno asks for her name, and the three child-spirits bring in food, the magic flute, and the bells, sent from Sarastro Trio: " Seid uns zum zweiten Mal willkommen ".
Tamino begins to play the flute, which summons Pamina. She tries to speak with him, but Tamino, bound by his vow of silence, cannot answer her, and Pamina begins to believe that he no longer loves her.
Aria: " Ach, ich fühl's, es ist verschwunden " She leaves in despair. The priests celebrate Tamino's successes so far, and pray that he will succeed and become worthy of their order Chorus: " O Isis und Osiris ".
Pamina is brought in and Sarastro instructs Pamina and Tamino to bid each other farewell before the greater trials ahead, alarming them by describing it as their "final farewell".
The priests grant his request for a glass of wine and he expresses his desire for a wife. Aria: " Ein Mädchen oder Weibchen ".
The elderly woman reappears and warns him that unless he immediately promises to marry her, he will be imprisoned forever. When Papageno promises to love her faithfully muttering that he will only do this until something better comes along , she is transformed into the young and pretty Papagena.
Papageno rushes to embrace her, but the priests drive him back, telling him that he is not yet worthy of her. The three child-spirits hail the dawn.
They observe Pamina, who is contemplating suicide because she believes Tamino has abandoned her. The child-spirits restrain her and reassure her of Tamino's love.
Quartet: " Bald prangt, den Morgen zu verkünden ". There is then a scene change without interrupting the music, leading into Scene 7.